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Here's my favorite Too Much Joy song, “Making Fun of Bums.” Used to rock out to this on Chicago sports talk radio once a week in late 90s for the “Bum of the Week” award.

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A brief statement below on behalf of Rhapsody America.

Thanks,
Ryan Luckin
Sr. PR Manager for Rhapsody

“Tim Quirk’s views are his own and do not reflect those of Rhapsody management. Rhapsody and our label partners are focused on ensuring that artists and copyright holders are compensated appropriately. After years of working together with Warner Music, we believe the company has made every effort to provide accurate accounting to its artists and copyright holders. The number of parties involved makes this a very complex problem to solve, but one that we, as an industry, are committed to solving.”

Not a single movie made in the USA has ever made a “net profit”. Art Buchwald proved that point years ago.

The record “labels” claim that music never makes any profit. How they remain in business boggles the mind.

Even so called artist-representative such as ASCAP and BMI have been shown to screw the artists.

Before music was digital, it was analog, and artists got screwed by business people then, too. There are millions of artists from the analog age who would take being $63 ahead over what they got, which was often a million dollars in the hole.

In fact, before music was analog, it was digital (piano rolls) and artists got screwed then, too. Composers rarely got royalties from each copy sold.

I mean, the Robert Johnson tale of meeting the devil at the crossroads and signing away your soul so you can play music is not about the devil, you know? It’s a metaphor for the music industry.