Want to watch YouTube on your TV? There are plenty of devices and services that let you do that, with more on the way. But starting next month, at least one gadget is getting its YouTube feed shut down: Syabas, which makes a line of set-top boxes called “Popcorn Hour,” says Google’s video site has told it to remove YouTube content from its offering beginning December 2.
You can debate whether Oprah Winfrey’s plans to shut down her broadcast show–in 2011–and move to cable constitutes “news.” Ditto for what it means for the culture.
But what do Oprah’s plans mean for the TV business? Not that much, argues JP Morgan analyst Michael Meltz.
Adobe is preparing to put magazines on Apple’s purported wondertablet. But what if that device, like Apple’s iPhone, doesn’t want to work with Adobe?
In the U.S., this is no big deal, but in much of the world this is now the sports equivalent of the Zapruder film: French soccer star Thierry Henry cheating, via a handball, and propelling his team past Ireland and into next year’s World Cup.
The Web is full of chatter about yesterday’s game, but video is hard to come by: YouTube has shut down most of the clips. But dedicated searchers–and there are lots of them right now–can find them.
It’s official: You still can’t buy the Beatles’ songs on the Web, despite the efforts of a site that attempted to do so by rewriting copyright law on the fly. In other news: Have you seen this clip of Richard Pryor reading the alphabet on Sesame Street? Awesome.
Vevo, the music industry’s attempt to create a Hulu-like site for its music videos, will formally launch Dec. 8. The site, which is co-owned by Vivendi’s Universal Music Group, Sony’s music label and Abu Dhabi Media, will host a New York kick-off event that day.
Here’s yet another content creator that’s convinced Apple has a tablet device in the works: Condé Nast says it will have a digital version of Wired magazine ready for the purported gadget by the middle of next year and will eventually create similar versions for all of its 18 titles.
But Condé, like other publishers, says Apple won’t actually talk to the company about its plans for the device–or even acknowledge that it has plans.
Here’s a match up that makes plenty of sense: EMI Music Group, which has a new Norah Jones album to promote, is showing her videos on Hulu, the video joint venture that specializes in “premium” content. But the deal is the only one of its kind. While the big music labels have played footsie with Hulu in the past, they have yet to actually move any of their clips there. Instead, they’re concentrating on YouTube, which makes plenty of sense.
The new conventional wisdom is that sooner or later, consumers will have to start paying for some of the stuff they currently get for free on the Web.
But will they actually pay up? Here, the conventional wisdom is not so helpful. Nor are studies predicting consumer behavior.
Are the folks who put together “The Office” clairvoyant or what? These things are written and shot many weeks in advance, yet last night’s episode contains a perfectly timed reference to the News Corp./Google paywall controversy.
If you’re someone who gets paid to market to people who use YouTube, there’s a good chance you already know about TestTube, the site’s suite of experimental services. The rest of us will find interesting novelties, like “Insights for Audience”: A nifty way to find out what people like–or unlike–you are watching.
If you want to buy Bill Gates’s house, you need something like $150 million. But what about a tour of the place, guided by the Microsoft co-founder himself? Much more affordable.
The newest twist in Google’s quest to wring more more money out of YouTube: Ads you don’t have to look at. That’s a refreshing change of pace, no?
You think you’re paying too much for cable TV? Check out this nugget, buried in satellite TV provider Dish Networks’ quarterly filing: The company has spent $328 million in its legal battle against Tivo this year, and that bill could keep growing.
Slowly but surely, YouTube has been able to bump up the number of “premium” content creators willing to hand over some of their stuff to the world’s biggest video site. Here’s yet another one: Funny or Die, the comedy site backed by Will Ferrell, Sequoia and HBO, among others.
Peter Kafka has been covering media and technology since 1997, when he joined the staff of Forbes magazine. Most recently, he has been the managing editor of the tech and media Web site, Silicon Alley Insider. Read more »
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