The good news: Two of music’s biggest acts helped slow the industry’s sales slump last quarter. The bad news: It’s still slumping. And the Fab Four and MJ are probably out of tricks.
Just a few weeks after a very public breakup, Warner Music Group and Imeem are getting back together again. Warner, which told investors last month that it had written off the $16 million it had invested in the Web music start-up, plus another $4 million in debt, has made a new deal with the company and will get another slug of equity. The big difference–this time, Warner isn’t cutting Imeem a check.
The music industry’s online forays have always inspired head-scratching, but this one is odd even by those standards: Project Playlist, the online music service currently being sued by Warner Music Group and Universal Music Group, is bolstering its tech staff by buying the assets of… a music service owned by Universal Music Group. But the lawsuits have yet to be resolved. Confusing? Of course.
Amazon won’t come out and say exactly what happened to it sales-ranking system over the past few days. But it is sorry, and it would like the Web and its customers to know that it wasn’t singling out books aimed at gays and lesbians.
Hot off the presses from EMI and Apple Corps, the Beatles’ holding company: a press release that goes on for 461 words about plans for yet another repackaging of the Fab Four’s albums–on CDs. And then these two sentences: “Discussions regarding the digital distribution of the catalogue will continue. There is no further information available at this time.” Because why rush into anything?
Apple has finally rolled out the “flexible pricing” plan it announced earlier this year at its music store. If you’re a casual music consumer, and that phrase doesn’t mean anything to you, let me rephrase it: Many of your favorite songs will now cost 30 percent more at iTunes.
Want to watch nerd-favorite “The Fifth Element” via Netflix’s awesome streaming service? OK, but hurry up–the movie will disappear from the service on New Year’s Day. Want to rent the excellent George Clooney corporate thriller “Michael Clayton” via iTunes? Too late! The movie was there, but now it’s not. Wait a minute: Hadn’t big media finally gotten religion and agreed to give us, the demanding consumers, everything we want, whenever we want it? Nope.
That’s the offer, sort of, being made by something called Datz Music Lounge. Are there catches? You bet–this is the music business, after all. But it’s a potentially intriguing idea that could work both for music fans and the industry.
Peter Kafka has been covering media and technology since 1997, when he joined the staff of Forbes magazine. Most recently, he has been the managing editor of the tech and media Web site, Silicon Alley Insider. Read more »
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