This one isn’t a total shock, as EMI and Grooveshark had supposedly been close to a deal prior to the lawsuit. And it wouldn’t be the first time that a label sued a Web company: See Warner Music Group (WMG) and Imeem, as well as Universal Music Group and News Corp.’s (NWS) MySpace, among others.

No details on the deal from EMI or Florida-based Grooveshark, which offers free streaming music, a la MySpace Music, Imeem, Spotify and others. Unlike those services, though, Grooveshark doesn’t appear to have licensing deals with three of the big four labels and plays their music anyway. But with the exception of the EMI suit, it has remained unmolested. Interesting.

For the record, here’s the release (Inside baseball note to Grooveshark guys: Please don’t attach press releases as PDF files. Really cumbersome. Thanks.):

Music streaming service Grooveshark signs deal with EMI Music and EMI Music Publishing
Gainesville, FL–Today, digital music service Grooveshark.com announced it has entered into agreements with major label EMI Music and EMI Music Publishing that will give Grooveshark users access to content from EMI’s roster of current and legendary catalog artists and EMI Music Publishing’s songwriters.

Grooveshark offers music fans the ability to stream songs for no fee from a vast catalog of music. Fans can enjoy Grooveshark’s music without having to download client software or register. The basic service is free to fans and supported by visual advertising. Fans who opt for a $3 per month premium service can enjoy unlimited ad-free streaming music. The site was recently named the best way to listen to music on the web by Rolling Stone, and just surpassed one million registered users.

“EMI Music and EMI Music Publishing have collaborated with us to create a mutually sustainable deal which represents the future of digital music,” says Grooveshark CEO Sam Tarantino. “We will continue to deliver the best music service on the Internet to our users, and we will expand our capacity to strengthen fan-to-artist connections through our technology.”

“We think services like Grooveshark offer great music discovery options for fans,” said Mark Piibe, EMI Music’s Global Head of Digital Business Development. ”In turn, Grooveshark offers a new revenue stream for our artists and will help us learn more about how we can better connect different types of fans with artists.”

At Sony’s keynote presentation yesterday, CEO Howard Stringer devoted a good chunk of his presentation to the wonders of the technology and showed off a 3-D short from Disney’s (DIS) Pixar. And last night a few hundred of us got another demo–a broadcast of the Florida/Oklahoma BCS championship game, on a giant screen, live, in 3-D.

This sounded great in theory. A brace of companies, including Cinedigm, 3ality, Carmike Cinemas (CKEC), News Corp.’s (NWS) Fox and Sony (SNE), partnered up to create a special 3-D broadcast that went out to a handful of movie theaters across the U.S. (News Corp. is the owner of Dow Jones and this Web site.) And they’d like to replicate this a dozen times a year for other special occasions: Other big sports events, concerts and the like.

This stuff is still a bit rough around the edges. The 3-D cameras seem to have a hard time keeping up with high-speed action like a pass, some images didn’t seem to focus that well, and the broadcast, which was created separately from the show everyone else in the country saw, seemed to be several cameras short–not enough overhead shots of the action, etc. But that’s OK: CES is usually stuffed with vaporware that never makes it to market, so we’re willing to cut an actual product some slack.

The bigger question is whether the 3-D experience will be amazing enough to convince people to pay money to watch a big game at a theater instead of their living rooms or at a sports bar. I’m not convinced, but I’m willing to give it another shot.

Here’s some video footage from the event; I can’t show you what the broadcast looked like because my not-so trusty Flip Mino doesn’t have any kind of flash. And there’s not much point in watching a clip of a 3-D broadcast in 2-D anyway, right? Instead, I chatted with Cinedigm CEO Bud Mayo, recent Carmike investor Mark Cuban (more from him later), and Nate Westheimer, a New York-based tech guy around town who filled in as my volunteer cameraman and one-man focus group.

[Image Credit: Life/Google]