The New York Times’s model for content creation, which revolves around well-paid professionals who rely on their experience and judgment, looks increasingly threatened. What does a new model look like? Perhaps one where a computer spits out assignments to day laborers who work furiously for low pay.
When a big music label sues a scrappy Web music start-up, most people tend to sympathize reflexively with the little guy. But not everyone. Here’s the case against Grooveshark–not from EMI, which has hauled them into court, but from an indie that by all rights ought to be working with Grooveshark: “The service is just ripping off the band.”
Twitter’s real-time search capability is a powerful tool–if you want to know what people are talking about on Twitter. If you want to know what people are interested in on the Web, though, it’s a different story. It’s a difference worth thinking about if you’re an Internet company thinking about shelling out a lot of money for the start-up.
Last fall, a small but vocal group of Twitterers managed to shame Johnson & Johnson into apologizing for one of its Motrin ads.
This weekend’s replay: a howl of outrage, amplified and directed via Twitter at Amazon, which may or may not have instituted a boneheaded policy regarding “adult” books on its site. Or “adult” books aimed at gay and lesbian readers. Or something.
No matter what really happened, the retailer is now in a real pickle.
Peter Kafka has been covering media and technology since 1997, when he joined the staff of Forbes magazine. Most recently, he has been the managing editor of the tech and media Web site, Silicon Alley Insider. Read more »
Here is a statement of my ethics and coverage policies. It is more than most of you want to know, but, in the age of suspicion of the media, I am laying it all out.
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