Digital music entrepreneurs Dave Goldberg and Bob Roback, who built up Launch Media in the 1990s and ran Yahoo’s music group for much of this decade, are trying their hands at tunes again.

This time, though, they’re not trying to convince consumers to pay for music or asking advertisers to subsidize it. Instead, they’re trying to act as a middleman between labels and publishers who own music and advertisers, Hollywood and other folks who want to use the tunes for commercial purposes.

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Vevo, the music industry’s version of Hulu, now has its own version of Providence Equity, the outside investor that took a flyer on the Web TV and movie joint venture: Abu Dhabi Media Company has purchased a stake in the company from owners Universal Music and Sony. No financials released, though I’m told the deal values the JV at $300 million.

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Want to get Michael Jackson’s new single? You will be able to get it on iTunes this month, contrary to earlier reports. But there’s a catch: You’re going to have to buy some of the late singer’s other songs, too.

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Well look at that: EMI Music Group, which had been working on a licensing deal with music start-up Grooveshark but ended up suing it instead, now has a licensing deal with Grooveshark after all.

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Spotify, the streaming music service Americans love talking about but can’t actually use, has given us even more to chat about: The company now promises to roll out some sort of TV service…some day.

Where? In Sweden, of course, which is where Spotify started, and which acts as a sort of test lab/best-case-scenario provider for the service.

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Okay, all you Spotify coveters who say you can’t wait to get the much hyped app on your iPhone, here’s your chance: Pony up $15 a month and you can get Rhapsody’s app, which does exactly the same thing.

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Napster says it has an awesome new iPhone app that will let you stream music directly to your phone–just like the one Apple approved for Spotify, the superhyped service you can’t even get in the U.S. yet. But Napster says you won’t be able to use its app anytime soon, and it blames the big bad music labels.

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Now that MySpace has finished its acquisition of iLike, what is it going to do with it? Don’t think music, MySpace CEO Owen Van Natta stressed in a press conference today, think about “socialization of content.”

What does that mean? It means the social network has spent $19.5 million on engineering talent to help overhaul its site.

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Remember how the rascals at file-sharing site The Pirate Bay, chastened by the Swedish courts, were going to straighten up and go legit? Going to have to keep waiting on that one. Here’s the latest reminder: Yet another thumb in the eye to the big music labels.

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When a big music label sues a scrappy Web music start-up, most people tend to sympathize reflexively with the little guy. But not everyone. Here’s the case against Grooveshark–not from EMI, which has hauled them into court, but from an indie that by all rights ought to be working with Grooveshark: “The service is just ripping off the band.”

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The music industry’s online forays have always inspired head-scratching, but this one is odd even by those standards: Project Playlist, the online music service currently being sued by Warner Music Group and Universal Music Group, is bolstering its tech staff by buying the assets of… a music service owned by Universal Music Group. But the lawsuits have yet to be resolved. Confusing? Of course.

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I’m still skeptical that “The Performance Rights Act,” which would require radio stations to pay musicians–or at least, music labels–whenever they play one of their recordings, will ever get through Congress. Not because it’s a bad idea, mind you, but because the music business seems like an unlikely candidate for Washington aid. The bill, however, did take one big step forward today.

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The world’s largest video site and the world’s biggest music company are joining up. Google’s YouTube and Vivendi’s Universal Music Group will be launching a new site, dubbed VEVO, which will highlight UMG’s videos. This is essentially what I’ve been calling “YouTube Music,” and it’s been in the works since last fall; in March I reported that the two sides had basically hammered out a deal. It’s a pretty big deal for YouTube, the music business, and the rest of the media world.

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Apple has finally rolled out the “flexible pricing” plan it announced earlier this year at its music store. If you’re a casual music consumer, and that phrase doesn’t mean anything to you, let me rephrase it: Many of your favorite songs will now cost 30 percent more at iTunes.

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Warner Music Group’s videos are disappearing from YouTube. The move is a result of a breakdown in negotiations between Google and the music label over a licensing deal that was set to expire soon. Who actually made the move to drop the label’s content from the world’s biggest video site is a matter of dispute, though. Both sides are taking credit for the decision.

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